![]() Correctly ordered the logs so that they appear in chronological order (sorted by the time the logs themselves were written).Fixed an issue with the status screen incorrectly showing the reactor heat rating.The All Umbra Logs achievement should now trigger correctly.Fixed an issue with boss doors not visually closing upon entering their room.Version 1.2.01 is now available! This hotfix fixes a few issues reported in the newly released campaign, Depths of Umbra-K54. Shield Generators did not always scale their Min Integrity stat based on level / max shields.Missions could in limited circumstances could end in mission failure after successfully being completed.Fixed issue that caused player crews to incorrectly lose faction alignment / reputation if they happen to be in a sector of a Fluffy Biscuit crew as they lose the biscuit selling contest.Engineering no longer shuts down when your ship is affected by reactor temperature increasing effects when running without a reactor. ![]() Slightly tweaked math of AI priority override (Reactor Stability >= X%) to better match displayed stability.Fixed line spacing issues for certain dialogue interactions on the bridge dialogue/hailing display.Can no longer abandon certain main story missions (ex.Fixed Phase Turret damage scaling to ensure it takes into account the component level and any turret damage scaling added by other components / effects.Entering the Captains Chair and Turrets as non-host players should now be more responsive.Camera shake should be more controlled at various frame rates.Core safety shutdown now triggers only when core stability is under 95%.Increased font size and overall readability of bridge dialogue/hailing display.Added Noto Sans Syriac as a embedded fallback font.On a somewhat unrelated note, our team is in pre-production of our next project! Its still too early to share anything yet, but we figured some of you might be interested to know. Version 1.2.02 is now available containing some bug fixes based on issues reported by the community. Fixed a bug with Liars Dice that could cause your character to flicker when playing the game.Fixed a bug with Liars Dice that could cause players to not correctly reset their position when exiting the game.Fixed a bug with mega turret damage not being correctly synced over the network when damaging certain types of targets (non-ship space targets).Fixed a bug with the Min Integrity stat for shield generators not correctly scaling / not using the appropriate base values for that shield type.Version 1.2.03 is now available containing some bug fixes based on issues reported by the community.
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![]() Quality undoubtedly looks markedly better, arguably even making The Surge 2 in performance mode look ugly by comparison, but an immediately noticeable loss of fluidity in the game’s controls makes it quite offputting on the whole.Īfter first playing the game at 60 FPS (in the default performance mode), the halved 30 FPS of quality mode can make it feel as though your personal performance been hamstrung. You have to reset the game between changes, which makes getting direct comparisons without extra equipment difficult, but after spending extensive time with both modes on a PS4 Pro it seems clear that performance mode wins the day. Meanwhile, opting instead for the quality mode will bump the display resolution up from 1080p to 4K and improve the quality of base assets, but the trade-off is a halved frame rate that now sits at 30.ĪLSO: Why all multiplayer games should be free-to-play in 2019 ![]() Performance mode favors behind-the-scenes tech and will result in The Surge 2 outputting at a buttery smooth 60 FPS, but this comes at the sacrifice of resolution and asset quality. The basis of each mode might be self-explanatory, but there are several key differences which you should definitely know about. Should you choose performance or quality mode? The Surge 2 graphics settings | Should I choose performance or quality mode? ![]() This still being a relatively new phenomenon where console gaming is concerned, you’re likely wondering which The Surge 2 graphics settings you should opt for. If you’re playing Focus Home Interactive and Deck13’s new Souls-like RPG on one of the enhanced consoles - that’s either the PS4 Pro or the Xbox One X - you may have noticed that tucked away in the options menu you’re presented with the choice to enjoy the game via one of two visual presets. ![]() ![]() It was originally released for the PlayStation console in Japan, and reached US shores when ported in 2006 as part of Gradius Collection for the PlayStation Portable. Gradius Gaiden includes the Lord British Space Destroyer from Salamander and two (relative) newcomers - the Jade Knight and the Falchion β (a variation of the ship from the Famicom Disk System game Falsion). This is also the only Gradius game (other than GOFER no Yabou Episode II on the MSX) where players can select which ship they wish to use. It was the first Gradius produced exclusively for a home console. Vic Viper is the name of a ship series, rather than a single ship), and pre-ordered North American copies included a DVD detailing the history of the series (including Scramble) and replays of Gradius V. In Japanese first press limited edition, the game included a book indicating inner design, the background, and the roadmap of Vic Viper series (i.e. Ltd were primarily responsible for Gradius V development. Graphics are rendered in full 3D, although gameplay is still mostly 2D some areas change the position and perspective of the camera to emphasize the 3D environment. Gradius V was released in September 2004 for the PlayStation 2. Released on the PS2 as a compilation pack together with the arcade version of Gradius III ("Gradius III & IV"). Weapons exclusive to this game included the Vertical Mine missile (which detonates in a vertical line shortly after deployment) and the Armor Piercing laser (a shorter, more powerful laser). IV lacked the Weapon Edit function of its predecessor, but it had a bigger array of weaponry than the original Gradius games. Gradius IV was released 1998 in Japanese arcades as Gradius IV Fukkatsu ( Fukkatsu being Japanese for "revival", since it was the first arcade Gradius game in nearly 10 years following 1989's Gradius III). The original arcade version is available for PlayStation 2 bundled with Gradius IV ( Gradius III and IV), although the port has some slight differences from the original. The difficulty and major boss tactics were toned down on the SNES port of the game to make it easier. Gradius III was released in Japan in 1989, with a US SNES port in 1991. ![]() The game was never released in North America in any form, until recently with its inclusion in the PlayStation Portable title Gradius Collection. Gradius II is the sequel to Gradius in terms of chronology. Gradius II is the second game in the series and was released in 1988. 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The faked tracks just sounded like Daft Punk, which apparently was never on the cards for the actual album: "We knew from the start that we were never going to do this film score with two synthesisers and a drum machine," explained Bangalter of their decision to co-opt an orchestra. ![]() What effect might the duo have on the world of the film soundtrack? But, for better or worse, it turned out to presage virtually every subsequent development in pop for the next decade, from the prevalence of Auto-Tuned vocals to the fetishisation of the 80s to the rise of the Guilty Pleasures phenomenon: it may well be the single most influential album of the last 10 years. On its arrival, Discovery appeared to be a cheese so ripe it threatened to stink your house out. The filtered house of their debut album Homework spawned imitations from everyone up to and including Madonna. ![]() Second, Daft Punk's ability to shift the course of pop music has been proven beyond measure. It occasionally seems less like a film that actually got made than a dream Thomas Bangalter might once have had. For one thing, Daft Punk might have been put on Earth specifically in order to record a soundtrack for a sequel to Tron: their 80s retro-futurist aesthetic is clearly indebted to the original, which variously features primitive electronic graphics, the soft rock of Journey, a plot in which a programmer becomes part of a neon-glowing computer mainframe after being shot with a laser, and the Scarecrow from Scarecrow and Mrs King. You can see where the expectation comes from, though. There's being excited about a forthcoming record, then there's being so excited that you start speculating wildly about what it might contain, then there's being so excited you come over all Mike Yarwood and start doing impersonations. This time, the Tron leaks turned up everywhere – just in time for Disney to announce they were not the work of Daft Punk at all, but a slightly nutty-sounding Daft Punk fan with a YouTube account.Īt least it told you something about the degree of anticipation for the soundtrack. Unfortunately, the devotees duly discovered that no, they weren't faked yes, Bangalter and De Homem-Chrosto were responsible and no, the tracks weren't a joke. In the enormously unlikely event that they were responsible, it was suggested, these tracks were clearly intended as a joke to put people off the scent of their forthcoming masterpiece. When tracks purporting to be from the follow-up to the multimillion-selling Discovery emerged online, a lot of devotees rushed to announce that they were very obviously faked, that two zeitgeist-defining musical geniuses such as Thomas Bangalter and Guy-Manuel de Homem-Christo couldn't possibly be responsible for anything so shoddy and uninspired. You would think that Daft Punk fans might exercise caution when it comes to internet leaks after that unfortunate business with their last studio album, 2005's Human After All. L ast summer, Daft Punk's soundtrack to Tron: Legacy leaked on the internet. ![]() NOTICE: This game is not supported on volumes formatted as Mac OS Extended (Case Sensitive). 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The success of the Bata shoe empire funded Zlin’s growth from a town of 3,000 in 1894, when the company started, to a city of over 40,000 by 1938 when the Batas fled to Canada before the Nazi occupation during World War Two. “We have to think about what we can do with so many buildings in such a large area in a smaller city like Zlin.to bring new life.” RED BRICK SHOWCASEīata is still a global brand with 5,000 shops in more than 70 countries, but in Zlin, it is a few big tyre companies - including a Continental factory in neighbouring Otrokovice - and countless small- and medium-sized manufacturing firms that now drive the town’s economy. “That time (of Bata) is over,” said Martin Jarolim, Cream Real Estate’s director. The Zlin region will finish a 900 million crown ($43.79 million) overhaul of two Bata buildings next to the railway station that will house a museum, library and gallery for the Bata Institute next year.īlocks away, private developer Cream Real Estate is building a 300 million crown residential, office and commercial project in a refurbished former Bata factory building. Bata has not produced shoes there for more than 70 years and dozens of the red-brick buildings in its giant factory complex fell into disrepair, something that has continued since the 1989 return of democracy.īut the architecture remains, and now public and private investors are in the final stages of a decade-old plan to restore the area with cafes, housing and entertainment centres. Workers lived a short walk from the factory in “Bata houses”, and Zlin’s 2,000-plus-seat cinema was Europe’s largest.Ī world war and four decades of communism has taken some of the shine off Zlin since then. 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I actually quite liked him!) I'd say this was my second biggest issue with the show. Don't even get me started on the wizards I was supposed to care about! (sans magic Bakugo, AKA Velnar. ![]() Even among Yuri's core group, I probably couldn't name all the characters. I'd say that a good 80% of them were either completely useless, just entirely uninteresting, and/or not memorable at all. However, I have always been the type who can sort of just accept that things are happening regardless of whether or not they make sense at the time, and the story wasn't too disjointed, so my problems in that area are minimal.īut as I stated above, the characters were not so easily forgiven. I get that there are OVAs before this as well as a whole game, but for dweebs like me who just want to sit down and watch Chain Chronicle without all that extra baggage, it's a bit irksome. The plot had the tendency to throw concepts and new people at you without really explaining who or what they were. What did bug me was certain story aspects, and characters. There were a few piddly things that sort of bothered me, but didn't really effect my overall enjoyment, such as Juliana's half-hearted voice acting, the moments of what I deemed unnecessary fanservice (*cough* witch lady! *cough*), and the way people lapsed into magical 3D animation time every time they fought (though strangely, this only happened about halfway through, which makes me think that the art team got lazy?). There's nothing quite like a good ol' fashioned medieval fantasy to lift your spirits after all! I wanted to get that bit out of the way so everyone may know that I am by no means hating on this show, but that being said, I did have some problems with it. The animation was good, I loved the soundtrack, and, despite many shortcomings, there were some characters I liked as well. Let me start off by saying: I really liked this anime. This is a spoiler-y review! Just warning you now!Īlright, I'm not usually one to write reviews, but after watching this, I immediately turned on my favorite tunes and settled in for a long rant. Side Note: Hopefully, we will get a prequel, which I'm sure has great potential - of course with the good ending ^^ But, whoever enjoys awesome battles and incredible soundtracks and even those who don't should give this a chance. Maybe this anime isn't the best out there and it has many flaws like the substance of the story. ![]() The always fitting soundtracks, especially in the important (battle) scenes, were what kept me watching and whoever the singing voice of Musica is did the greatest job ever (Listening to her voice made me fall in love). The story of this definetly isn't bad, but what really stands out positivly are the animation and especially the soundtracks (it shoud be over 9000, but however). And, so the story unfolds where both have to prove wether the trials fate has set for them will break them or make them stronger. However, he regains his hope in form of our second main character Aram and decides to put his faith in him in order to defeat the dark king for good. Having lost against the dark king despite all his efforts left him hopeless. The reason might be that the focus of the story lies more or less in the struggling and growing of two characters: On the hand we have our experienced hero Yuri who wasn't able to live up to expectations everyone had for him. It might seem a little hard to bond with the huge amount of characters but it's possible to follow the story without knowing their background. If you want any information on the pre-story you have to play the game, because this anime begins where the game ends (to be precise it begins from the bad end^^). So what is this story about ? It begins rather unconventional in the middle of nowhere - it's like diving into the story by watching season 2 of an anime without any means to get season 1. I will try to avoid spoilers as much as possible in this review, so lets begin: |
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